Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts

Thursday, January 17, 2013

Building a billion-dollar enterprise, 11: Commerce and Community Identity

Years ago, I declared that I want Homewood to be "beautiful, prosperous and safe."

Then I expanded that to "beautiful, prosperous, safe and green" - the idea being that Homewood could be a leading example of LEED-certified neighborhood development.

Then, recognizing the ways in which communications technology is changing the world, and the importance of continual learning, I arrived at "beautiful, prosperous, safe, green, connected, global and smart."

All of which are great adjectives to describe what I want Homewood to BE, and to be known for being.

A few minutes ago, I wrote what I want Homewood to DO, and to be known for doing - something I don't remember ever having done before. Not only that, I wrote it as a personal aspiration, as something for me to do:

Make Homewood world-famous for producing entertainment.

It felt like an epiphany, a great convergence. It connects my work with the Save Race Street Committee and Block Watch Plus and Operation Better Block with the building of Luminaria Productions. Indeed, it puts Luminaria Productions at dead center of it all, as the company that leads the way in establishing Homewood as an entertainment production center.

I think my mind was nudging me toward this epiphany two or three weeks ago when it rewrote one of my favorite fantasies. I have often declared that I would love to do an internship at Pixar - even unpaid - just to be in the environment where people create astonishments like "Finding Nemo." Well, a couple of weeks ago, with no conscious ratiocination that I recall, I thought, I want people at Pixar to dream about coming to Luminaria Productions.

Hubris? Maybe. But does it make sense to strive to be anything other than the best?

The thing that surprises me as I think about it now is that I had not particularly thought of Luminaria Productions doing animated films. But there is PeaceBuilder. And the world of games is huge, and growing.

In any case:

The Homewood Children's Village talks about making Homewood a neighborhood "where every child succeeds." I have wanted to add, "...and where learning ever stops," an idea that lies behind my description of my ideal Homewood as "a black Chautauqua." I think that idea could still generate a lot of useful conversations that make great things happen. But now I want to add an outward-facing motto for the community: "We entertain the world."

Maybe that should just be Luminaria's slogan (assuming no other company has it already). In any case:

That's "entertain," not "amuse." As Richard Walter notes in "Screenwriting: The Art, Craft and Business of Film and Television Writing"

"To entertain is to occupy, to hold, to give over to consideration as in 'to entertain a notion.' This suggests not painting one's face and performing a tap dance for the notion, but cradling it in one's cortex, hefting its spiritual mass, regarding it, weighing it, investing it with contemplation."

The sentence, "Make Homewood world-famous for producing entertainment," came at the end of a thought-sequence sparked by the question, "What does Homewood produce?" To make Homewood a place that produces both dramas and comedies that carry ideas worthy of the world's contemplation...that would be worth a big chunk of whatever time I have left on this planet.

Thursday, August 23, 2007

APC Magazine has an interview with Linus Torvalds in which the Chief Penguin expresses his doubt that there will be a version 3 of Linux. Why in the world would he say such a thing? I'll only say this: I think his reasoning is at the very least interesting, and quite possibly right.

Linus has a way of coming out with unexpected things. I have not read many interviews with him, but the ones I have read, I've always enjoyed. He always comes across as so...cool, you know? Composed. Unworried. And with a nice sense of humor.

I just discovered The Dwacon Blog (sorry, DC, I don't know how to make that little R-in-a-circle that means "Registered," as in trademark), which is the work of one Dwayne Conyers. It's fun; check it out.

Besides "Ten Keys," I also recently finished another short script on my own, titled "No Dessert." I now have under my belt as a screenwriter, five shorts written solo and two others as co-writer. Now I set myself a set of challenges: to complete the two shorts that I have in post-production; to finish writing my first feature (I've started two), and to get my personal website up and running, all before heading out to L.A. for Screenwriting Expo 6 (I attended Expo 5 last year and decided within the first day that I would be back at least two more years).

These must all be labeled MUST.

I particularly and especially want to present a completed script to Pilar Alessandra and Dara Marks, two instructors at Expo 5 who made deep impressions on me. So much so that I am now going to shamelessly plug them both, gratis. To all my fellow screenwriters, especially those who aren't making a living at it yet: Ms. Alessandra now has a podcast. Subscribe to it. Ms. Marks has a book, "Inside Story: The Power of the Transformational Arc." Buy it (don't just check it out from the library, as you will probably want to mark it up).